![]() ![]() That said, the film at least has its cast in its favor. There's little that can compare to Tchaikovsky's original work, which we as an audience are reminded of each time the score lifts passage from the composer's work to underscore the action. The balance shows, sometimes - the film coheres best when what's being showcased merits that kind of lavish visual attention.įor instance, there's an inevitable nod to The Nutcracker's ballet iteration (as filtered through a Fantasia lens that mostly serves to remind us of that superior movie), and Misty Copeland's accompanying performance is perhaps the most stunning part of the film. Granted, that has a little to do with the fact that the rest of said material is fairly cookie-cutter in relation to how hard the film's creative team has worked to make the settings pop. ![]() ![]() Her performance has the effect, however, of making the rest of the film pale by comparison, as none of the rest of it (Grant and Derbez are sadly wasted, possibly a result of the film changing directorial hands) holds a candle to just how hard she leans into the material. It's like nothing we've ever seen her do before - it's camp to the degree that it's irresistible - and seems to signal that she's about to buck every preconceived notion as to her niche and enter into an era of wildcard character actor roles. Armed with what 30 Rock referred to as a "sexy baby voice" and a mountain of pink candy floss hair, she turns in the kind of performance that is essentially her Colin Farrell in The Lobster, her Jude Law in Dom Hemingway, her Brad Pitt in Burn After Reading. The four regents all look outrageous (which I mean in the best way possible) but Knightley as the Sugar Plum Fairy takes the cake. Though Clara is an appealing heroine - she is the first female protagonist in such a movie who's really been allowed to demonstrate a measure of aggression and selfishness without being judged or reproached for doing so - the show ultimately belongs to Knightley. Grant), and Hawthorne (Eugenio Derbez) attempt to maintain peace while Mother Ginger (Helen Mirren) wreaks havoc. To aid her is, of course, Nutcracker soldier Philip (Jayden Fowora-Knight), as the Sugar Plum Fairy (Keira Knightley), Shiver (Richard E. At times, it becomes so colorful that it's tempting to compare the film to anime rather than any of the other films in the Disney stable, especially as the adventures veer into somewhat demented territory and star Mackenzie Foy's eyes seem to grow larger by the minute.Īs Clara Stahlbaum, she's charged with bringing order back to the magical Four Realms, which she stumbles across after following clues left by her late mother and her godfather Drosselmeyer (Morgan Freeman). It's lush and colorful in a way that's refreshing when so much of popular media trends towards blandness or darkness - and, of course, in a way that befits its status as a holiday-themed story. Screen-worn costumes from The Nutcracker and the F.Directed by Lasse Hallström and Joe Johnston, the film's offerings aren't so much to do with its plot as with visual spectacle and character turns.Oscar-nominated Mary Poppins Returns movie costume.Screen-worn costumes from Solo: A Star Wars Story.Emmy-nominated Pose season 1 TV costumes on displa.Pedro Pascal and Gina Carano costumes from Star Wa.Final season Game of Thrones TV costumes on displa. ![]()
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